From UK Research and Innovation (UKRI):
[Arts and Humanities Research Council (AHRC)] awards £14.5 million [$19.7 million/USD] to five projects which will transform online access to the UK’s culture and heritage collections by harnessing innovative technologies.
This will include machine learning and citizen-led archiving which will connect the UK’s cultural artefacts and historical archives in new ways.
These discovery projects will dissolve barriers between collections:
- opening up public access
- facilitating research across a range of sources and stories held in different physical locations.
Empowering diverse audiences
This is the largest investment of the Arts and Humanities Research Council’s (AHRC) Towards a National Collection initiative, which is a major five-year investment in the UK’s world-renowned:
- museums
- archives
- libraries
- galleries.
One of the central aims is to empower and diversify audiences by involving them in research and creating new ways for them to access and interact with collections.
This announcement reveals the first insights into how thousands of disparate collections could be explored by public audiences and academic researchers in the future
World leading research
Towards a National Collection is the largest investment of its kind to be undertaken to date, anywhere in the world and extends across the UK, involving:
- 15 universities
- 63 heritage collections and institutions.
Together, the projects funded as part of this investment represent a vital step in the UK’s ambition to maintain leadership in cross-disciplinary research, both between different humanities disciplines and between the humanities and other fields.
Towards a National Collection will set a global standard for other countries building their own collections, enhancing collaboration between the UK’s renowned heritage and national collections worldwide.
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The Five Funded Projects
The Towards a National Collection discovery projects are outlined below.
The congruence engine: digital tools for new collections-based industrial histories
Principal Investigator: Dr Timothy Boon, Science Museum Group
The Congruence Engine will create the prototype of a digital toolbox for everyone fascinated by our industrial past to connect an unprecedented range of items from the nation’s collection to tell the stories they want to tell:
- what was it like then?
- how does our past bear on our present and future?
Until now, historians and curators have become acclimatised to a world where it has only been possible to work with a small selection of the sources potentially relevant to the history they want to explore. For example:
- museum objects
- archive documents
- pictures
- films
- maps
- publications.
Our heritage, our stories: linking and searching community-generated digital content to develop the people’s national collection
Principal Investigator: Professor Lorna Hughes, University of Glasgow
In the past two decades communities have gathered, recorded, and digitised their collections in a form of ‘citizen history’ that has created a truly democratic and vast reservoir of new knowledge about the past. This is known as community-generated digital content (CGDC).
However, CGDC has proved extraordinarily resistant to traditional methods of linking and integration, for lack of infrastructure and the multilingual, multidialectal, and multicultural complexity of the content.
Our heritage, our stories will dissolve existing barriers and develop scalable linking and discoverability for CGDC, through co-designing and building sophisticated automated AI-based tools to discover and assess CGDC ‘in the wild’. This is in order to link it and make it searchable.
Transforming collections: reimagining art, nation and heritage
Principal Investigator: Professor susan pui san lok, University of the Arts London
More than 20 years after Stuart Hall posed the question, ‘Whose heritage?’, Hall’s call for the critical transformation and reimagining of heritage and nation remains as urgent as ever.
This project is driven by the provocation that a national collection cannot be imagined without:
- addressing structural inequalities in the arts
- engaging debates around contested heritage
- revealing contentious histories imbued in objects.
Transforming Collections aims to enable cross-search of collections, surface patterns of bias, uncover hidden connections, and open up new interpretative frames and ‘potential histories’ (Azoulay, 2019) of art, nation and heritage.
It will combine critical art historical and museological research with participatory machine learning design and embed creative activations of interactive machine learning in the form of artist commissions.
The Sloane lab: looking back to build future shared collections
Principal Investigator: Professor Julianne Nyhan, University College London and TU Darmstadt
Focusing on the vast collections of Sir Hans Sloane in public institutions, this project will work with expert and interested communities, including museum audiences. This is to link the present with the past to allow the links between Sloane’s collections and catalogues to be re-established across:
- the Natural History Museum
- the British Library
- the British Museum
- others that have relevant material.
The main outcome of the project will be a freely available, online digital lab – the Sloane lab. It will offer researchers, curators and the public new opportunities to search, explore, and engage critically with key questions about our digital cultural heritage.
Unpath’d waters: marine and maritime collections in the UK
Principal Investigator: Mr Barney Sloane, Historic Buildings & Monuments Commission for England (Historic England/English Heritage)
The UK’s marine heritage is extraordinarily rich. Shipwrecks date from the Bronze Age to the World Wars, bearing testimony to Britain as an island nation, and a destination for trade and migration.
This heritage, covering 23,000 years, is represented by collections of:
- charts
- documents
- images
- film
- oral histories
- sonar surveys
- seismic data
- bathymetry
- archaeological investigations
- artefacts
- objects
- artworks.
But they are often dispersed, unconnected and inaccessible. UNPATH aims to reshape the future of UK marine heritage, making records accessible for the first time across all four UK nations and opening them to the world. It will devise new ways of:
- searching across collections
- visualising underwater landscapes
- identifying wrecks and artefacts from them.
Direct to the Complete Announcement with Info About the Five Funded Projects
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