From Emory University:
A 60-year-old letter that is credited by American Beat Generation writer Jack Kerouac as the inspiration for his novel “On the Road” has been acquired by Emory University’s Stuart A. Rose Manuscript, Archives and Rare Book Library.
Written by Kerouac’s friend and fellow Beat icon Neal Cassady and long considered lost before it resurfaced in 2012, the “Joan Anderson letter” (named for a girlfriend of Cassady’s mentioned in it) will be on display during a public exhibition opening Sept. 28 at Emory titled “The Dream Machine: The Beat Generation and Counterculture, 1940-1975.”
The 16,000-word letter, which Kerouac described as “the greatest piece of writing I ever saw,” and which he credited with inspiring his prose style in “On the Road,” was thought lost for 60 years. The letter was discovered in 2012 in the archived files of Golden Goose Press.
“The Joan Anderson Letter is an invaluable literary treasure that brings new insights for researchers and students of literature on the creative process, and in particular on the Beat Generation that we’ve never had before,” says Rosemary M. Magee, director of the Rose Library. “It connects beautifully with other exceedingly rare materials in this exhibition and throughout the Rose Library that engender deeper understanding of both the past and this historical moment.”
Emory also has acquired a rare original typescript draft of Kerouac’s novel “The Dharma Bums,” originally submitted to Viking Press in 1958. This manuscript includes numerous editorial corrections and suggestions from the publisher, and the author’s often salty responses in his own hand. The typescript also will be part of “The Dream Machine” exhibition.
“’The Dharma Bums’ typescript is a fascinating and personal look into the composition of this classic novel,” says Aaron Goldsman, Emory PhD candidate. Goldsman is co-curator of “The Dream Machine” with Emory PhD candidate Sarah Harsh and former Rose Library curator Kevin Young, now University Distinguished Professor at Emory. A class Goldsman is teaching this semester is creating an online companion exhibition to “The Dream Machine,” which will be available later in the fall.
The Joan Anderson letter and “The Dharma Bums” typescript join a broad and deep collection on Kerouac and other Beat Generation writers already held by the Rose Library. Many of the items will be part of the exhibit, which includes a rich array of diverse authors, such as Helen Adam, Amiri Baraka, William S. Burroughs, Jack Gilbert, Allen Ginsberg, Ted Joans, Joanne Kyger, Lenore Kandel, Bob Kaufman, Diane di Prima, Jack Spicer, Laura Ulewicz and Anne Waldman, among many others.
The Rose Library’s materials on Kerouac are particularly extensive, and include a collection from Kerouac’s brother-in-law, John Sampas, and the Jack and Stella Sampas Kerouac Papers, 1940-1994. The collections contain artwork, audiovisual materials, clippings, correspondence and writings, financial and legal records, artifacts and more. Among the artifacts are an Army rucksack used by Kerouac, a suitcase, his final typewriter and Kerouac’s paint box with his signature on the side, used for his various artworks.
“The Rose Library’s collections offer a fascinating glimpse at how Kerouac styled his identity as a writer, artist and thinker,” says co-curator Harsh. “Displaying these newly acquired drafts and letters alongside Kerouac’s personal effects allows us to better understand the man behind the literary celebrity.”
According to Magee, all are welcome to view these and other signature items from the Rose Library. The exhibition will run through May 15, 2018, in the Schatten and Corridor galleries on Level 3 of Emory’s Robert W. Woodruff Library,