Journal Article: “Data Curation and the Arts: How Do Musicians Curate Their Data?”
The following full text article (accepted for publication manuscript version) was recently published in Music Reference Services Quarterly 19, no. 3–4 (2016).
Title
Data Curation and the Arts: How Do Musicians Curate Their Data?
Authors
Amy S. Jackson
University of New Mexico
Jonathan Wheeler
University of New Mexico
Todd Quinn
University of New Mexico
Source
University of New Mexico (UNM) Digital Repository
Final Version Published in: Music Reference Services Quarterly 19, no. 3–4 (2016)
Abstract
Professional musicians were surveyed to determine how personal, amateur recordings of performances are shared with students and colleagues. Sharing files on social media is common, with Facebook, YouTube, and Vimeo used most frequently. Although these are popular social media platforms, they do not have enhanced format support and robust metadata. Additionally, licensing terms for each platform differ, and may be not in the best interest of the musician. Although recordings are not traditionally considered data, data curation principles can be applied to these types of files, and the library is positioned to become an active participant in this process.
Direct to Full Text Article (26 pages; PDF)
Filed under: Data Files, Libraries, News, Open Access, Video Recordings
About Gary Price
Gary Price (gprice@gmail.com) is a librarian, writer, consultant, and frequent conference speaker based in the Washington D.C. metro area. He earned his MLIS degree from Wayne State University in Detroit. Price has won several awards including the SLA Innovations in Technology Award and Alumnus of the Year from the Wayne St. University Library and Information Science Program. From 2006-2009 he was Director of Online Information Services at Ask.com.